Dishman + Co. Choreography

mission

 
 

Dishman + Co. Choreography is a collaborative dance company based in NYC.

We cultivate moving dialogues to open paths for connection in a divided world. 

We believe each body “speaks” in distinct postures and movement qualities - physical dialects formed by our bodies’ shapes and experiences. We believe the ways people move express something of who they are and that moving together creates a culture of connection in which different, even differing voices can be heard and more deeply known.

Current neuroscience affirms that movement uniquely forges a transformative communal connection: Surpassing the power of words, bodily experience is required to reshape neural pathways so ingrained social patterns can shift and new possibilities for trust can open.

Dishman + Co. aims to activate this shift through collaborative dance, drawing varied bodies together in physical dialogues that move toward a more vibrantly connected world.

process

 

Artistic Director Elizabeth Dishman is inspired by the interaction of different bodily voices. Her collaborative dancemaking process amplifies the relational poetry of the body by drawing into conversation the varied physical dialects of the company’s co-creating dancers.

The artists practice attuning to each other’s physicalities in layered movement explorations, receptively negotiating their different qualities and choices - often real-time or in close proximity. This physical “listening” requires rigorous attentiveness to the others’ bodies, rooted in a commitment to receive and respond to each voice while maintaining one’s own.

This practice gradually cultivates connection and builds a dance both intimate and vigorous that bespeaks a robust, agile community shaped and strengthened by the varied voices within it.

 

photo by Stephen Delas Heras

 
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activities

Extending the conversation, we pursue connection within larger communities through performances, post-show talks, and artist-audience movement experiences with embodied dialogue. These deepening activities invite audiences to witness, discuss, and then feel how listening to someone’s body communicates value and cultivates trust, how people who were merely sharing space can begin to connect in new ways through bodily attunement.

Together, we explore how embodied dialogue might develop deeper listening postures that translate outward as a connective force in a fractured culture.


artisTIC DIRECTOR


ELIZABETH DISHMAN

Elizabeth grew up in Colorado and studied voice performance and dance at Emory University. After earning her MFA in choreography from The Ohio State University, she returned to Atlanta and founded Dishman + Co. in 2001. She rerooted the company in New York City in 2005, deepening her aesthetic voice while raising two small children and staying marginally sane.

Described by critics as “complex skeins and cerebral dreams”, “bodies in rigorous concentration”, and “playful and provocative…raw humanity seeps in”, the company’s collaborative work has been presented at theaters and universities across the U. S., including Dixon Place, Center for Performance Research, Gibney Dance Center, BRIC Studio, 100 Grand, the Off-Broadway Marjorie S. Deane Little Theater, Triskelion Arts, 7Stages Theatre, Emory University, Auburn University, Belhaven University, and other gracious venues.


 
 

belly COLLABORATORS

 

LARISSA ASEBEDO

Larissa Asebedo grew up in Denver, Colorado until attending and graduating summa cum laude from the Conservatory of Dance at SUNY Purchase. There she completed her BFA in dance and minor in psychology while also studying abroad in Perth, Australia. Since moving into Brooklyn Larissa has had the pleasure of working professionally with Rachel Germond, Daniel Gwirtzman, Kensaku Shinohara, L’Opera de Lyon, & the Merce Cunningham Trust. Currently, Larissa also performs with Stephen Petronio Company, teaches dance to kids and teens, and deeply values her own healing process. 

MARY LYN GRAVES

Mary Lyn Graves is a dancer, teacher, and sixth generation Oklahoman from Tulsa, OK. Her recent performance credits include the Mark Morris Dance Group, Joanna Kotze, Megan Williams Dance Projects, Dishman + Co, and collaborations with composer Caroline Davis. From 2012-2018, Mary Lyn was a member of Ririe-Woodbury Dance Company in Salt Lake City, UT. While with Ririe-Woodbury, Mary Lyn originated roles in over 25 new works by artists including Daniel Charon, Ann Carlson, Doug Varone, and Netta Yerushalmy and toured across the United States, France, Mongolia, and South Korea. Mary Lyn has also performed extensively with Molly Heller, Cheyla Chandler, and the Nikolais/Louis Foundation for Dance.

 

TONY GONZALES

Tony Gonzales is a movement professional and performer originally from the Sonoran Desert. They are interested in revolution and in communing through creativity. Their main work is that which challenges and believes in physicality. They deeply value the process of artistic creation as reflexive research that contributes to our broader humanity. Tony is thankful to be here.

NADIA HALIM

Nadia Halim is a New York City-based dancer and writer. Raised in Houston, TX, she attended the High School for the Performing and Visual Arts and trained at Houston Academy of Dance. In 2019, Nadia graduated cum laude from Barnard College with a dual B.A. in sociology and dance. There, she performed works by Shannon Gillen, Zachary Tang, Yin Yue, Sasha Waltz, Jennifer Archibald, David Dorfman, among others. An alumna of the Diversity in Arts Leadership program by the Arts & Business Council of NY, Nadia is currently the Marketing Manager at The Joyce Theater. She performs with companies such as dishman + co., Parijata Dance Company, BITEdown Collective, The Moving Orchestra, and Colleen Thomas Dance.

 

OWEN PRUM

Owen Prum is a dancer, choreographer and co-founder of the artist-run performance space PAGEANT in New York. He has danced for Elizabeth Dishman, Neil Greenberg, Burr Johnson and Jordan Lloyd, among others; and has shown his own work across the East Coast. He holds a Dance BFA from NYU Tisch School of the Arts.

JULIE SEAL

Julie Seal is a dance artist living in New York. She grew up on Long Island where she began her dance training under the formative direction of Kathleen Kairns-Scholz. She went on to obtain a degree in dance from Hofstra University. Since 2013 Julie has collaborated and performed in many works as a freelance artist. From 2015-2020 Julie performed in Third Rail Projects’ long running immersive shows, ‘The Grand Paradise’ and Bessie award winning ‘Then She Fell,’ where she worked as Rehearsal Director. Julie currently dances with Dishman + Co.

 

OKORIE JOHNSON

Okorie Johnson is an Atlanta-based cellist-composer exploring the intersection of African Diasporic melodies and perceptions/assumptions about the classical and European nature of the cello. His idiosyncratic cello voicings, harvested sound, and community interviews collide classical with jazz, EDM, reggae, and funk in experimental sonic worlds. He has opened/performed/recorded for Grammy award-winning artists India.Arie, De La Soul, Big Boi of OutKast, Van Hunt, and Maxwell, and has performed his own work at SXSW, the Atlanta Jazz Festival, Nashville’s Schermerhorn Symphony Center, and Cuba’s classical music festival Habana Classica. In 2021, Okorie was selected for the Kennedy Center's artist residence program, the Democratic Republic of the Congo Biennale, and Emory University’s Arts and Social Justice fellowship program. He scored the documentary "Imperfect Alibi" which won a regional Emmy, and Atlanta Magazine and InStyle named him as part of “Atlanta’s Rising Creative Class” and the "Creative Class Making Atlanta the New Epicenter of American Arts."

ADRIAN ONG

Hailed for his “palpable musical instinct and intelligence” (Catanduanes Tribune), Adrian Nicolas Ong had his orchestral debut at the age of 17 with the Philippine Philharmonic Orchestra. Adrian has performed and given recitals at the Cultural Center of the Philippines, the National Arts Center (Laguna), Maybank Performing Arts Center, and Areté Ateneo. He has held concertmaster and principal positions in the Interlochen Arts Academy Orchestra and the Curtis Summerfest Orchestra. He is part of the young artists roster of the FilAm Music Foundation and has been a Friends for Cultural Concerns of the Philippines (FCCP) scholar since 2019. In 2019, he performed Tchaikovsky’s Violin Concerto with the ABS-CBN Philharmonic Orchestra under the baton of Gerard Salonga. In July of 2022, he was invited by the French Embassy to perform with the Philippine Philharmonic Orchestra under the baton of Michael Cousteau. He will have his Carnegie Hall debut in the fall of 2022.

 
 

PAST COLLABORATORS

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LEAH IVES

Leah Ives is a member of the Trisha Brown Dance Company. Since joining in 2014, Ives has performed a total of 20 pieces of repertory in more than 15 countries. She worked with filmmaker Thierry De Mey on his installation Solid Traces, which transformed Brown’s Set and Reset into a solid sculpture. Other work has included the character-driven explorations of Sarah A.O. Rosner’s Barrishand Etle and the Anders; she also appears in the film Frances Ha, choreographed by The Median Movement. Ives has worked with Elizabeth Dishman, Megan Chu, The Leopold Group, and Peter Sparling Dance Company. Between 2008 and 2016, she helped lead several creative workshops with Avodah Dance for incarcerated women. Most recently, Ives worked with Anne Teresa De Keersmaeker and director Ivo van Hove on their development lab of West Side Story. She is currently guest choreographer at Manhattanville College.

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JULIA JURGILEWICZ

Julia Jurgilewicz is a native of Massachusetts where she trained at the Gold School. She earned a BFA in Dance from Tisch School of the Arts, NYU and has since performed in NYC, nationally, and abroad. She has worked with Third Rail Projects in the immersive theater productions Then She Fell and The Grand Paradise. She performed in Cendrillon, Parsifal, Don Giovanni, and Aida at The Metropolitan Opera as well as in works by Dishman and Co., Mark Dendy, Johannes Wieland, Jillian Peña, and LEVYdance, to name a few. Julia has had the pleasure of working as a company member with Liz Gerring Dance Co., Erica Essner Performance Co-op, and Suzanne Beahrs Dance. Julia currently dances with Third Rail Projects and is a personal fitness trainer.

 
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MYSSI ROBINSON

Myssi is a multi-disciplinary artist from Richmond, VA. Home is currently Jersey City and the movement worlds of David Dorfman Dance, Kyle Marshall Choreography, and the ColemanCollective. Since graduating from Mason Gross School of the Arts at Rutgers University with a BFA in Dance, Myssi has developed a process and materials based practice of drawing, design, and simple construction. Her work has been presented by Mana Contemporary, the Jersey City Theater Center, the Gallery at Nimbus Dance Works, and Le Poussin Rouge. She experimented with set design for Davalois Fearon Dance's For C.J. with support from BAAD! and the Bronx Museum of the Arts. Smush Gallery will present her next solo show in March 2020. In all of Myssi's working, empathy is queen.

JOSHUA REAVER

A graduate of Florida State University with a BFA in Dance, Joshua Dutton-Reaver has been collaborating with Third Rail Projects since 2013 on a multitude of immersive and site-specific works including Ghost Light (LCT3) and long-running hits Then She Fell and The Grand Paradise. During this time, Joshua has also traveled to St. Petersburg, Russia to assist in the creation of As Time Goes By. In his spare time, along with working administratively for Third Rail Projects, Joshua freelances as a technologist collaborating in various technological mediums including video editing, graphic design, and web design.

 
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MEI YAMANAKA

Mei Yamanaka is a dancer and choreographer from Japan. Mei moved to New York in 2008 and has worked and collaborated with artists including Catherine Galasso, Tiffany Mills, Mark Dendy, Jennifer Archibald, Christine Bonansea, Jody Oberfelder, Boy Friday, and Orange Grove Dance, among others. Mei's work has been seen at Fresh Tracks at New York Live Arts, Movement Research at Judson Church, Mix Festival at HERE, Food for Thought at Danspace, and more. Mei was a "Fresh Tracks" residency artist at Dance Theater Workshop (now New York Live Arts) in 2010 - 2011. Mei was also a Chez Bushwick Artist In Residence in 2014. www.meiyamanaka.com

 
 

Press

“I like the slippery elegance of Vermilion and Dishman’s resolve to adhere to the tangible, but just-beyond-our-grasp rules of her game. There is an honesty to her dancers’ insistent pursuits and accumulating/fleeting connections.”

— Susan Marshall, Bessie Award-winning choreographer and MacArthur “Genius” laureate 


“Dishman, usually a controlled choreographer of dizzyingly complex erudition, loosens up with Permutations, her first foray into collaborative choreography. ‘Creative risk is a high value to [The Nerve Series], and this element has changed me over the years,’ Dishman says.”

— Thomas Bell, Creative Loafing  


“You´ll spend days unraveling the complex skeins and cerebral dreams of this modern company for the thinking aficionado.”

— Felicia Feaster, Creative Loafing  


“Quirky, athletic…bodies in rigorous concentration.”

— Julie Bookman, Atlanta Journal-Constitution  


“…raw humanity seeps in…”

“…the dancers move with assurance, gravity a familiar partner they neither fight nor seduce…the choreography plays with surprising phrases of unison, a technique previously willfully absent from Dishman’s palette. Emerging confidently from her accustomed intricacy, these phrases sing gratitude for the one who will always steady you.”

— Thomas Bell, Creative Loafing  


“A cerebral choreographer of revelatory abstractions”

— Thomas Bell, Creative Loafing  


“Remarkably intelligent interplays and investigations”

— Thomas Bell, Creative Loafing  


“Playful and provocative”

— Thomas Bell, Creative Loafing  

 


 “Comic, athletic”

— Sherri McLendon Dance Magazine Online Reviews

 
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